Category Archives: Live Picks!

Live Picks! with Tony Porreco: Alex Vans & The Hide Away @ The Dunes

Live Picks! with Tony Porreco

alex vans live picks

Who: Alex Vans & The Hide Away

Where: The Dunes

When: Friday, April 12

Song You Must Hear Today: “Wait”

I first learned of Alex Vans and his band The Hide Away from a Facebook ad they purchased to promote one of their shows.  So hey, maybe those kinda work?  Anyway, I’ve spent a ton of time the last few days with DJ Booth, the full length Vans released in January, and there’s really a lot to love.

Let me unpack that a bit: According to Vans, one of the themes running through the album involves the routinely erratic nature of taste and pop culture.  On album opener “Good Enough”, Vans admits that this capriciousness is equally true of not only his audience but also himself when he divulges, “I wish I had a passion / I want to have beliefs / My obsessions that just change from week to week”.  This fickleness benefits both parties, as DJ Booth is full of enjoyable twists and turns.

“Good Enough” has all the strut and swagger of a good Spoon number, in addition to being dotted with scuzzy synths and bleep-bloops that lend the song a fun, futuristic sheen.  “Faith” begins with atmospheric solo electric guitar section before the mid-tempo track builds to include some very pretty piano, curious chord changes, and enormous percussion sounds.

Then there’s the single, “Chase the Night”, which is Vans’ stab at party time dance rock.  We actually featured the track a couple months ago when the group made the smart decision to release a music video to go along with the track.  To be honest, I’m really happy that we already covered “Chase the Night” as a news item so I can say a bit about what’s actually my favorite tune on the album, “Wait”.  An ode to the inner monologue of talking yourself out of approaching a pretty lady, the number is delightful alt country pop built on an ear wormy riff that’s pinged out first via cute glockenspiel, and then sung full voice by the gang.

Alex Vans & The Hide Away take the stage this Friday with Andrew Leahey & the Homestead (Richmond country) at The Dunes, which is located in the northern end of Columbia Heights.  If you haven’t been before, catching a show at The Dunes is another reason to make it out: Part art gallery, part performance space, its blonde hardwood floors and warm lighting provide an uncommonly sophisticated show-going experience.  Alex and Co. have been touring in support of DJ Booth extensively since the winter, so expect a seasoned band to deliver you a great set as they make a stop in their hometown.  I’ll be flying home from Portland this Friday, and I’m royally ticked I can’t be there.  So head out, get your groove on.  I’m not jealous at all.*

*Actually, I’m really jealous.  If someone will live stream the show, I’ll shell out for the in flight WiFi.  I’m not even kidding.

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Live Picks! With Tony Porreco: hiphopmcdougal @ Axum’s Level X Lounge

Live Picks! with Tony Porreco

hiphopmcdougal bow

Who: hiphopmcdougal

Where: Axum’s Level X Lounge

When: Saturday, April 6

Song You Must Hear Today: “Mogwais in the Rain”

A few weeks ago, I was slurping ramen (the kind you go out for) with a lovely young lady. In response to some remarks I made that were admittedly of questionable maturity, she in turn informed me that behind the sophisticated façade of every adult male lies a 12 year old boy. Hiphopmcdougal is a two-man, nerdcore rap duo who have taken this position to its logical extreme by crafting of jokey rap-pop that unabashedly embraces the mindset of the nerdy male preteen for their songs’ inspiration.

Comprised of longtime friends Julian Biggs and Charlie Hodgson, the pair has been dropping tracks as hiphopmcdougal since 2009, and have a catalog spanning five releases to accompany their longstanding musical bromance. Generally, the formula for hiphopmcdougal tracks is as follows: Over the framework of blatantly preprogrammed beats and retro 8-bit synths, Biggs pulls off adept rap moves about some deliciously nerdy topic, and Hodgson springs in mid-number to belt out a bighearted goofball chorus.

Hiphopmcdougal’s songs are charmingly juvenile in every respect. With songs devoted to the extensive coverage of topics such as Count Chocula, Chuck E. Cheese, and Cheez-Its (yes, Cheez-Its), Biggs and Hodgson routinely display the encyclopedic knowledge of pop culture possessed only by kids and hardcore nerds. Boasting of extreme videogame prowess with lines like “When I’m settin’ high scores / I’m cooler than fro-yo”, Biggs manages to deftly reference (I think) 18 game hall classics on “Inside the Arcade”.

Conceptually, part of what makes hiphopmcdougal work as such an entertaining act is that the music is roughly equivalent in maturity level to the songs’ lyrics, as the tracks often sound as if they were assembled by a couple of kids getting their hands on Fruityloops and a MIDI controller for the first time.

Live, the pair are nothing but a fun spectacle: Yes, they’re two dudes running their backing tracks through the P.A., but they’re incredibly enthusiastic, and bring a prepared stage show that includes costume changes, props, and even party favors for the audience.

Hiphopmcdougal is performing this Saturday at Axum’s Level X Lounge (1934 9th St., NW) in the U Street area as part of a marathon six(?!) band lineup. They’re up first at 8:30, so even if you’re not feeling the other acts, you can catch their early set and still be in a great location to party down for the rest of the evening.

Other acts include:

Roll It Over: Heavy alternative, Baltimore
Heartless Romantics: Good ol’ rock n’ roll, GW students.
Cheap American Whiskey: Blues with a punk bite.
Watch For Waves: Slacker art rock (I’m fond of these guys. Sounds like Pavement channeling Roxy Music.)
Jay Saturn: Party time R&B!

hiphopmcdougal photo

Live Picks! with Tony Porreco: Bells and Hunters, Album Release Show @ IOTA, Fri 3/29

Live Picks! with Tony Porreco

Bells and Hunters, DC9

Who: Bells and Hunters, Skip House, Turtle Recall

What: Album Release Show, Weddings and Funerals

Where: IOTA Club & Cafe

When: Friday March 29, 9:00 PM

Song You Must Hear Today: “Weddings and Funerals”

I’m generally not one for blues rock or bar bands.  I think it’s a tired genre with plodding tempos, whose foundation lies in an unwarranted celebration of life’s disappointments and heartaches.  So, if a band is playing this type of music and I’m taking note, they’ve got to be doing something special.  Bells and Hunters is such an act.

Just to provide you with some quick context, Bells and Hunters do female-fronted blues rock.  If you can think back to the ‘90s, artists like Tracy Chapman or (AWESOME) one-hit wonders 4 Non Blondes are easy touchstones for their sound.  Those comparisons might leave you yawning at first read, but trust me, Bells and Hunters are both: (a.) edgier and (b.) more interesting than your average blues-oriented band.

Earlier this month, the group released their second record, Weddings and Funerals.  According to guitarist/songwriter Keith Fischer, the album was a laborious undertaking that spanned the course of almost two years, and the effort shows from the get-go.  The first cut (also the album’s title track) represents an example of truly adventurous songwriting from start-to-finish, replete with several non-repeating sections and tasteful trumpet interludes.  Singer Kelly Ann Beavers packs syllable after syllable into the song’s narrative verses, and even slides into a quizzical drum and voice breakdown where she borrows from “A Tisket A Tasket” (yes, the nursery rhyme).

Stylistically, there’s actually a fair amount of ground covered in the brevity of the album’s eight songs, ranging from blues with classic rock instrumental breaks on “73”, to the down home Americana thump of “Mercury”.

Another stand out track is “Maybe a Fool”, which is a swelling country ballad with an evocative chorus about how it’s probably time for a couple to call it quits.  This song especially makes for a good segue for some discussion of the album’s themes: With a couple of exceptions, Weddings & Funerals is an album about two partners’ perceptions about each other during their relationship’s demise.  At a time when “the album” is more and more frequently described as a dead art form, I think it’s fascinating that a D.C. band has released an album with recognizable narrative and theme.

Bells and Hunters perform this Friday at IOTA in Clarendon to celebrate the physical release of Weddings and Funerals.  They’ll be joined by Skip House (buzz saw blues) and Turtle Recall (country? indie? pop? country indie-pop?  Who cares, they came up with what is now my favorite band name of all time.)

You should come: I’ll be there, sobbing happily into my beer.  Please, please don’t let me do it alone.

Bells and Hunters, flyer

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Live Picks! With Tony Porreco: Brandon Ables (formerly of Presto Bando) @ Velvet Lounge

Live Picks! with Tony Porreco

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Who: Brandon Ables, Brenda, North of Canada

Where: Velvet Lounge

When: Thursday, March 14

Song You Must Hear Today (but should have heard two years ago): Presto Bando – “Whole Body Blues”

When I learned in late December that Presto Bando was going to be breaking up following a final performance at Velvet Lounge on January 4th, 2013, I was so sad.  Really, you have no idea.  Over the course of almost a year, I saw them play 12 times, which must be the largest number of shows I’ve ever attended for any individual band. (This isn’t so remarkable.  I actually went to grad school with a girl who’s seen Pearl Jam 50+ times.)

What kept me coming back?  Sheer entertainment value.  Corey Shinko’s goofy, yet oddly virtuosic bass lines were the musical equivalent of an enormous, off-leash cartoon dog, and my goodness, could vocalist Brandon Ables squeal and hoot with the intensity of an unhinged Southern preacher.  One person I took to a Presto Bando show likened the experience to “some kind of future Dylan”, and that’s really not a bad summation, as Able’s songwriting is Southern rock served via manic punk energy and, above all, hefty quantities of raw id.

So, I was absolutely ecstatic when I learned a few of weeks ago that Presto Bando main man Brandon “Don” Ables would be returning to the stage for a show this Thursday at Velvet Lounge, opening up for two other DC acts.  The first of these bands is Brenda, who play humorous goofball pop about topics such as manatees and deciding to become bisexual.  Headlining the night is North of Canada, whose more straight laced (though still excellent) guitar rock promises to bring some traces of sanity to what’s otherwise destined to be an evening of wacky musical hijinks and madcap shenanigans.

I have it on good authority from Brandon himself that he’s got a considerable amount of new material he’s eager to try out, but that he’ll be playing “maybe two or three” old Presto Bando numbers, you know, for the kids.

I’ll be there, grinning from ear to ear, thrilled that I get to see one of my favorite personalities from the DC scene throw down again.
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Live Picks! With Tony Porreco: M.H. & His Orchestra @ Velvet Lounge

mh

Live Picks!

with Tony Porreco

Who: M.H. & His Orchestra

Where: Velvet Lounge

When: Friday Feb. 15th

Song You Must Hear Today: “Cobblestone”

Here’s an embarrassing story for you: When I was in the 2nd grade, my P.E. teacher invited a local Jazzercise instructor in to do a couple of sessions with us kids.  (I can only speculate as to why.)  Anyway, after the first session, I approached the teacher, and asked if I could pick the music next time.  “Of course!”, she said.

So at gym class the next week, I proudly presented the Jazzercise lady a tape of some of my favorite songs I’d recorded off the radio.  She put it in the boombox, lined us up for a “work out”, and pressed play.  The first song was Green Day’s “Basket Case”.  After about 15 seconds, she halted the tape, took me aside, and gently explained to me how “There are two kinds of music: The kind you dance to, and the kind you listen to”, and how I had brought in the latter kind.  She then popped in a tape stuffed with ‘80s dance pop, and I half-heartedly went through the motions of Jazzercise, feeling so embarrassed that upon landing my very first DJ set, I’d spun the wrong tracks.

There are still moments at shows standing amidst the throngs of stationery concert-goers where I’m a little self-conscious about being a rock fan.  The genre has long since lost its association as de facto party music, and understandably so: Generally, you just can’t shake it to a punk or post-rock number the way you can with R&B or electronic.

Which brings us to the music of M.H. & His Orchestra, who are playing an all together different kind of party music.  Rather, their work is styled not in the contemporary traditions of rock and pop, but instead in the older template of a melodramatic crooner (in this instance, singer/composer Max Holiday [“M.H.”]) backed by an orchestra providing rich, expressive arrangements.

So in some respects, yes, this resembles the music of your grandparents’ youth, but there’s more to it than that.  The group’s debut album The Throes (available for download at their Bandcamp, $8) was recorded with an astonishing 44 member orchestra:  When you’ve got an ensemble that large, you’re really capable of playing just about any style of music you want, and main man M.H. makes effective use of the wide array of musical talent on hand (broad assortments of string, brass, and woodwind players, among others) to effortlessly hop from one unexpected genre to the next.

And really, there’s so much ground covered here, ranging from Latin/Calypso, oompah brass music, and even touches of big beat R&B.  Opening track “Cobblestone” begins with a straightforward electric piano that’s soon joined by old time-y upright bass and Latin percussion, only to be followed by the surprise of a glitchy R&B drum machine alongside a horn section.

Now, that’s a lot to put down, especially about the first thirty seconds of an album, but that’s M.H. & His Orchestra: The trappings of half a dozen musical genres, laced with M.H.’s throaty, drama-filled vocal performances that remind me more than a little of Roy Orbison.

Sonic descriptions aside, it’s really the playful, booty-shakin’ rhythms that truly distinguish M.H. & His Orchestra from other more austere, cerebral orchestral/chamber pop.  Often, the songs are grounded in a carefree Latin or Calypso beat, lending the endeavor a welcome tropical buoyancy.  Really, I just want to post up in a deck chair, order a banana daiquiri, and watch this band do their thing.

The stripped down, 11-piece touring version of M.H. & His Orchestra are performing this Friday at Velvet Lounge as part of a Mardi Gras-themed fundraiser event for Cosmic Campout, which is a three-day music and art going into its second year.  Opening acts include Vasudeva (arty alt prog) and Dr. Robinson’s Fiasco (moody alt duo).  It’s gonna be crazy fun.

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Live Picks! with Tony Porreco: The 27s @ Rock n’ Roll Hotel

Live Picks!

with Tony Porreco

Who: The 27s

Where: Rock n’ Roll Hotel

When: Friday Feb. 8th

Song You Must Hear Today: “Temporary Love”

the27s

For fans of classic 1980s power pop, listeners will do themselves a favor giving a listen to local quartet The 27s.  A reference to the age when a surprising number of rock legends (e.g. Cobain, Hendrix, Joplin) met untimely deaths, the band’s name speaks to the group’s awareness of rock n’ roll’s history and culture.  There’s a bit of irony here given that The 27s don’t feature the genre molding posturing of trendsetting rock icons.  You might even say that there’s nothing especially original about their sound, but that doesn’t bother me in the slightest.  Rather, their tracks possess an inviting sense of nostalgia.  Interestingly enough, this successful manufacturing of nostalgia is actually one of D.C. punk poobah Ian Svenonious’ (supernatural) strategies for making a rock n’ roll group, so they must be doing something right.

What sounds are we actually talking about here?  The 27s sound more than a little like The Replacements, and it’s awesome.  (I don’t think they’ll take too great offense at this, as the band’s ReverbNation page reads, “Sounds like: The Replacements”.)  With their bright, clean riffs and snake-y guitar leads, the group demonstrates themselves as keen students of ‘80s college rock.  The band has a five song release they recorded at Arlington’s Inner Ear Studios in the summer of 2011 with noted producer/owner Don Zientara that’s available to stream/download (for free!) on their ReverbNation.

By and large, the EP is filled with quick, sticky guitar pop and the gruff, sometimes muttered vocals of singer Adam Raley.  “Complicated” sports an instrumental break with a squirming guitar lead and especially deft playing from drummer Ahmad Asi, and the refrain of “On Again, Off Again” just blooms into sheer goodness.  The most compelling track of the bunch, however, is “Temporary Love”, which features a rousing, arena rock outro centered around the chorus’ repeated guitar hook.

Anyway, they’re headlining this Friday Feb. 8th at the Rock n’ Roll Hotel on H Street.  Openers include The Courtesans (1 cup proto-punk, 1 cup straight-ahead rock, stirred) and Davey Brown (bluesy country punk), who are also both from D.C., making for a night of solid local music.  You should go.