Without a doubt, the DC music scene became several decibels quieter in the months following Presto Bando’s final performance on January 4th of last year. Their Southern-fried punk rock was hard to ignore, and singer Brandon Ables’ vocals encroached on the terrain of a deranged “future Dylan”. The band’s live shows were always a highly energized spectacle, and set a high watermark for performance art few other bands were able to match. During the band’s final set, Ables (vocals, guitar) cheerily described the “hatred” he and his bandmates had developed for one another to an uncomfortable audience, urging them to take their CDs, “because we’re just going to throw them in the trash anyway.”
Following their “break up”, Corey Shinko (bass, vocals) and Ables told me of plans to do a “posthumous” release, and this was a topic I pestered them about incessantly throughout the spring and early summer of 2013. Finally, there was an oddly timed July 4th “Pre-Release” Party thrown by Emanuel Pires, who Ables and Shinko claimed to be recording with at his home studio in Annandale, Virginia. Several more months passed, and I admittedly began to wonder if the project had been scrapped before I received a text from Shinko in November asking if I’d like to meet with him and Ables to discuss the now-complete 11 song record, entitled Witchtopher Columbus.
Read our full interview with Presto Bando after the jump, where they discuss the reasons behind their “break up”, the recording of Witchtopher Columbus, and Ables experiences working as an ice cream man.